从伤痛处理看《芳华》电影与小说的文本间性
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摘要
文学与电影之间的关系密切,但文学与电影作为两种独立存在的艺术类型,自然有其独有的美学形态与魅力。随着小说《芳华》被搬上大荧幕,研究这两个文本之间的差异性是个有趣的话题。对于伤痛的处理,小说"芳华"与电影"芳华"有着相似却不同的注解,特别体现在对青春、人性和时代的不同阐释上,值得关注与深思。
The relationship between literature and film is close,but literature and film,as two independent types of art,naturally have their unique aesthetic form and charm.It is interesting to study the differences between the two texts as the novel Youth is brought to the big screen.For the treatment of pain,the novel Youth and the film Youth have similar but different annotations,especially in the different interpretations of youth,human nature and the times,which are worthy of attention and reflection.
The relationship between literature and film is close,but literature and film,as two independent types of art,naturally have their unique aesthetic form and charm.It is interesting to study the differences between the two texts as the novel Youth is brought to the big screen.For the treatment of pain,the novel Youth and the film Youth have similar but different annotations,especially in the different interpretations of youth,human nature and the times,which are worthy of attention and reflection.
引文
[1]张鸿声,王晓云.中国电影与文学的关系[N].文艺报,2010-07-07.
[2]严歌苓.芳华[M].北京:人民文学出版社,2017.
[3]舒晋瑜.反思平凡的英雄、雌性集体潜意识和最凶猛的雄性基因严歌苓:我们被“平凡即伟大”的价值观误导了[N].中华读书报,2017-07-26(18).
[4]张颐武.《芳华》:重访青春的残酷和美丽[N].社会科学报,2018-01-04(8).
[5]张倩玉.论《芳华》的青春叙事[J].电影文学,2018(18):94-96.
[6]宋菲.严歌苓文学创作及其影视改编研究[J].电影文学,2017(19):97-99.
[7]尹鸿.这一年,有部电影叫《芳华》[N].中国电影报,2017-12-20(2).
[2]严歌苓.芳华[M].北京:人民文学出版社,2017.
[3]舒晋瑜.反思平凡的英雄、雌性集体潜意识和最凶猛的雄性基因严歌苓:我们被“平凡即伟大”的价值观误导了[N].中华读书报,2017-07-26(18).
[4]张颐武.《芳华》:重访青春的残酷和美丽[N].社会科学报,2018-01-04(8).
[5]张倩玉.论《芳华》的青春叙事[J].电影文学,2018(18):94-96.
[6]宋菲.严歌苓文学创作及其影视改编研究[J].电影文学,2017(19):97-99.
[7]尹鸿.这一年,有部电影叫《芳华》[N].中国电影报,2017-12-20(2).