传奇叙事与形式的辩证法——欧阳黔森小说论
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摘要
传奇是中国小说的重要传统,从六朝志怪、唐人传奇到宋元话本、明清小说,传奇都是一种非常重要的叙事方法或文体形态。古往今来,传奇不仅是一种艺术形式,更是一种意识形态载体。欧阳黔森的小说创作充分表现了传奇的形式辩证法,在欧阳黔森小说中,无论是革命英雄传奇还是民间英雄传奇抑或是当代世俗传奇,传奇叙事不仅综合了武侠、冒险、志怪、鬼神、荒诞等艺术形式,而且综合了江湖侠义、英雄主义、理想主义、国家主义等意识形态内容。在这些意识形态追求中,国家意识无疑是欧阳黔森最为重要的创作追求。
Legend is not only an important tradition of Chinese novels, but also a very important narrative method or stylistic form of the tales of anomalies in Six Dynasties, the legend in Tang Dynasty, the text of stories in Song and Yuan Dynasties, and the novels in Ming and Qing Dynasties. From ancient time to present, legend is not only an art form, but also an ideological carrier. Ouyang Qiansen's novel fully expresses the dialectics of form in the legend. In Ouyang Qiansen's novel, whether it is revolutionary heroic legend or folk heroic legend or contemporary secular legend, the legendary narration not only integrates the artistic forms such as martial arts, adventure, fantasy, ghost, and absurdity, but also integrates the ideological forms such as chivalry, heroism, idealism and nationalism. Among these ideological pursuits, national consciousness is undoubtedly the most important pursuit in Ouyang Qiansen's Novels.
Legend is not only an important tradition of Chinese novels, but also a very important narrative method or stylistic form of the tales of anomalies in Six Dynasties, the legend in Tang Dynasty, the text of stories in Song and Yuan Dynasties, and the novels in Ming and Qing Dynasties. From ancient time to present, legend is not only an art form, but also an ideological carrier. Ouyang Qiansen's novel fully expresses the dialectics of form in the legend. In Ouyang Qiansen's novel, whether it is revolutionary heroic legend or folk heroic legend or contemporary secular legend, the legendary narration not only integrates the artistic forms such as martial arts, adventure, fantasy, ghost, and absurdity, but also integrates the ideological forms such as chivalry, heroism, idealism and nationalism. Among these ideological pursuits, national consciousness is undoubtedly the most important pursuit in Ouyang Qiansen's Novels.
引文
[1]鲁迅.鲁迅全集:第9卷[M].北京:人民文学出版社,2005.
[2]张清华.传奇——当代小说诗学关键词之三[J].小说评论,2012(3).
[3]李遇春.“传奇”与中国当代小说文体演变趋势[J].文学评论,2016(2):154.
[4]莫言.莫言讲演新篇[M].北京:文化艺术出版社,2009.
[5]洪子诚.中国当代文学史[M].北京:北京大学出版社,2010.
[6]陈思和.中国当代文学史教程[M].上海:复旦大学出版社,1999.
[7]周新民,欧阳黔森.探询人性美——欧阳黔森访谈录[J].小说评论,2015(5):70.
[8]欧阳黔森.短篇小说是最难藏拙的小说里的中国[M].青岛:青岛出版社,2013:198.
[9]欧阳黔森.记忆[J].长篇小说选刊,2006(5):123.
[10]陈夫龙.民国时期新文学作家与侠文化研究[M].新北:花木兰文化事业有限公司,2017:250
[11]欧阳黔森.莽昆仑:欧阳黔森中短篇小说选[M].北京:作家出版社,2015.
[12]陈夫龙.刘绍棠乡土小说的侠文化解读[J].中国现代文学研究丛刊,2018(1):207.
[13]郭庆藩.庄子辑释[M].北京:中华书局,1961:5.
[14]孙俊杰,张学军.莫言小说中的志怪传奇[J].济南大学学报(社会科学版),2018(6):69.
[15]陈晓明.对当代精神困局的透视——评欧阳黔森《非爱时间》[N].文艺报,2004-05-18.
[16]陈平原.千古文人侠客梦[M].北京:人民文学出版社,1992:5.
[2]张清华.传奇——当代小说诗学关键词之三[J].小说评论,2012(3).
[3]李遇春.“传奇”与中国当代小说文体演变趋势[J].文学评论,2016(2):154.
[4]莫言.莫言讲演新篇[M].北京:文化艺术出版社,2009.
[5]洪子诚.中国当代文学史[M].北京:北京大学出版社,2010.
[6]陈思和.中国当代文学史教程[M].上海:复旦大学出版社,1999.
[7]周新民,欧阳黔森.探询人性美——欧阳黔森访谈录[J].小说评论,2015(5):70.
[8]欧阳黔森.短篇小说是最难藏拙的小说里的中国[M].青岛:青岛出版社,2013:198.
[9]欧阳黔森.记忆[J].长篇小说选刊,2006(5):123.
[10]陈夫龙.民国时期新文学作家与侠文化研究[M].新北:花木兰文化事业有限公司,2017:250
[11]欧阳黔森.莽昆仑:欧阳黔森中短篇小说选[M].北京:作家出版社,2015.
[12]陈夫龙.刘绍棠乡土小说的侠文化解读[J].中国现代文学研究丛刊,2018(1):207.
[13]郭庆藩.庄子辑释[M].北京:中华书局,1961:5.
[14]孙俊杰,张学军.莫言小说中的志怪传奇[J].济南大学学报(社会科学版),2018(6):69.
[15]陈晓明.对当代精神困局的透视——评欧阳黔森《非爱时间》[N].文艺报,2004-05-18.
[16]陈平原.千古文人侠客梦[M].北京:人民文学出版社,1992:5.
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