运河文化对南北过渡性园林济宁荩园的影响
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摘要
运河文化是中华文明的重要组成部分,山东济宁作为运河之都,在运河文化的城建文化上有着突出的表现。荩园是济宁地区园林的典型代表,其假山、方池和台榭亭桥所组成的空间布局呈现了商周秦汉台榭建筑的营造模式和尘世蓬瀛的空间意象,荩园的造园艺术融南涵北,见证了运河文化的向北传播,具有很高的历史价值。文章针对不同的历史阶段,详细论述了运河城建文化对荩园的造园手法、结构风格、空间布局等方面的影响,并从时间、空间和园主经历等维度探究产生荩园空间模式的原因。
Canal culture is an important part of Chinese civilization. Jining,as the canal capital,has performed prominently in the urban construction culture of the canal culture. Jin Garden is a typical representative of gardens in Jining area. The spatial layout of rockery,square pond,pavilion and bridge in Jin Garden presents the construction mode in Shang,Zhou,Qin and Han dynasties and the spatial image of the world. The gardening art in Jin Garden,which blends the characteristics of the southern and the northern areas,has witnessed the spread of canal culture towards the north and presents high historical value. According to the different historical stages,this paper discusses in detail the influence of canal urban construction culture on the gardening technique,structure style,space layout and so on,and explores the reasons for creating the garden space model from the dimensions of time,space and experience.
Canal culture is an important part of Chinese civilization. Jining,as the canal capital,has performed prominently in the urban construction culture of the canal culture. Jin Garden is a typical representative of gardens in Jining area. The spatial layout of rockery,square pond,pavilion and bridge in Jin Garden presents the construction mode in Shang,Zhou,Qin and Han dynasties and the spatial image of the world. The gardening art in Jin Garden,which blends the characteristics of the southern and the northern areas,has witnessed the spread of canal culture towards the north and presents high historical value. According to the different historical stages,this paper discusses in detail the influence of canal urban construction culture on the gardening technique,structure style,space layout and so on,and explores the reasons for creating the garden space model from the dimensions of time,space and experience.
引文
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[2]吴文涛.大运河对北京的历史文化意义[J].前线,2014(11):53-55.
[3]闫婷婷.明清时期济宁市域城市景观演变研究[D].兰州:西北师范大学,2009.
[4]高飞,张静.南北文化融会与诗意化营造:济宁近古宅第园林的民俗文化蕴义[J].民俗研究,2016(1):129-135,160.
[5](清)徐宗翰,许瀚.济宁直隶州志[M].清道光二十年刻本.
[6]刘玉平,高建军.运河文化与济宁(上)[M].北京:中国社会出版社,2012.
[7]潘守廉.袁绍昂,唐炬.济宁直隶州续志[M].民国十六年铅印本.
[8]贾祥云,威海峰,乔敏.山东近现代园林[M].上海:上海科学技术出版社,2012.
[9]贾珺,黄晓.清代济宁荩园研究[J].古建园林技术,2018(1):53-57,26.
[10]高建军,高飞.棋布于运河之滨的济宁私家园林[J].济宁师范专科学校学报,2004(2):18-21.
[11]彭一刚.中国古典园林分析[M].北京:中国建筑工业出版社,1986.
[12]赵娜.风景园林中竹景的营建研究[D].武汉:华中农业大学,2009.
[13]王建波.尘世蓬瀛:山东济宁荩园小考[J].中国园林,2010,26(3):97-100.
[14]郭选昌,郭晶.基于系统工程思想的景观设计初探[J].山西农业科学,2008(8):55-58.