从里希特看中国当代架上绘画的图像元素运用
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摘要
在当今时代,随着各国政治、经济、文化的相互交流、渗透,各种形态的艺术都体现出交融、多元的态势,绘画也同样不例外。作为进入国内短短数十载的油画,经过历代大师远涉重洋的悉心学习摸索,也渐渐被国人所认可。从80年代起,中国的油画以极快的速度把西方的现代艺术形式算是重新演绎了一遍,基本上在国外能找到的艺术样式都能在国内找到蛛丝马迹,在这其中,多数只是形式上和样式上的简单的模仿照抄,能够真正的从情感和意识形态上切入当代的只是其中一部分,能够从更深精神层面上对西方艺术观念加以继承发展的也只是很小一部分。
随着科学技术的发展,照相技术、多媒体等影像技术的出现对艺术及其表现形式有了前所未有的丰富,架上绘画作为传统艺术的一种主要表现方式受到了极大的冲击。在当今,架上绘画已经不再是现在艺术领域中的主流地位,但仍然有许多艺术家通过各种方式在画布上的不懈尝试依然使得架上绘画在艺术中以自己的与众不同的方式前进着。其中具有代表性的画家要数德国画家,格哈特·里希特。里希特的艺术探索,一直是在再现性的摄影图像绘画与模糊绘画两个领域同时交互进行的。
艺术作品无论采用什么样的表现方式、工具、材料,只要最终准确地传达出想表达的东西,并给予人们精神上的触动或视觉冲击,都是有其艺术价值的。对画家来说,摆正思想、对自身有正确的认识,才能有自己的特色,增强个人绘画的表现魅力。成熟的油画大都是在具象的画面中加入了很多的抽象元素,使得画风独具一格同时内涵上赋予一定深刻的历史意义。艺术家要把对现实生活与自然的态度与体验完美的融合到绘画创造中来,同时在创作中注入个人的思想情感,使自己的作品达到充满内涵的精神层次上来。这样的作品在艺术性上才能变得充实且耐人寻味并能给人以强大的感染力,才‘能使得作品的内容得到升华,达到一种高的审美境界,然后体现在个人作品中,传达给观众。例如,里希特的作品之所以能具有一种刻骨铭心的视觉力量,就是因为他认真探究画面蕴含的深层思想,准确地了表达了人的内在精神。他通过与对象的直接交流而产生感情冲动,进入最佳的创作状态,并把自己的感受完备的传达给观众。
本文首先通过对德国画家格哈特·里希特的艺术风格的分析,阐述他的出现对中国当代架上绘画领域产生的影响并结合当代国内一批年轻艺术家的艺术尝试探求架上绘画在中国当代的出路及作出更深层次的思考。随着世界科技及影像多媒体等创作手段广泛使用以致当今艺术领域的边界及其内涵被日渐模糊和美学语言不断被削弱的当代艺术如何重新给自己定位如何重新激发出新的动力和活力的问题。
In today's era, along with the political, economic and cultural exchanges, various forms of art are reflected infiltration, multi-state, paintings are also no exception. As the short span of decades into the country of oil, after careful study of the ancient masters across the oceans to explore, gradually recognized by people. From 80 years, China's oil paintings is at an extremely fast pace to be interpreted again of modern Western art forms, largely in foreign countries can be able to find the art style in the country to find clues, it is where the majority of a mere formality, and the style on the simple imitation of imitation and little from the emotion and can really cut into the contemporary ideological, nor can a deeper spiritual level right to inherit and develop the concept of Western art.
Along with the development of science and technology, the emergence of imaging technology, such as photography, multimedia, etc, has an unprecedented rich to att and its manifestations, easel painting as a traditional art has been one of the main manifestations of a great impact. In today's, easel painting is no longer the realm of art that is now the mainstream position, but there are still many artists in a variety of ways tireless attempt to remain on the canvas makes the easel painting in the art in their own distinctive way forward. One representative of the artist is a German painter, Gerhard Richter. Richter's artistic exploration has been painting in the reproduction of photographs and fuzzy painting carried out in two areas interact at the same time.
Works of art regardless of what kind of expression, tools, materials, as long as the ultimate expression of accurately convey something like, and give people spiritual touch or visual impact, are all its artistic value. On the painter, putting right thinking, proper understanding of their own, can have their own characteristics, and enhance the performance of individual painting charm. Mature paintings are mostly figurative images in adding a lot of abstract elements, makes the style unique style while giving the connotation of a certain profound historical significance. Artists should be on the real life and the natural attitude and experience to create the perfect fusion of the paintings in the past. Also injected in the creation of thoughts and feelings and make their content work to achieve full of the spirit level up. This works on the art to become enriched and thought-provoking and provides us with a powerful appeal in order to make the contents of works by sublimation, achieve a higher aesthetic realm, and then reflected in the individual works, to convey to the audience. For example, Richter's work has been able to have a memorable visual power, because he was seriously exploring the deep thinking of the screen contains accurately the expression of people's inner spirit. He through the direct exchange of objects produced health and emotional impulse, into the best state of creation, and to convey their feelings to the audience complete.
In this paper, analyzed the artistic style of a German artist named Gerhard Richter. explain his presence on the field of Chinese contemporary easel painting in combination with the impact of the domestic group of young contemporary artists attempt to try to explore the art of easel painting in the Chinese contemporary way and make a deeper level thinking. With the world's science and technology and video multimedia authoring tool widely used in the border areas so that today's art and its meaning is increasingly vague and aesthetic language of contemporary art continue to be undermined how to re-position themselves on how to re-energize a new dynamism and vitality issues.
随着科学技术的发展,照相技术、多媒体等影像技术的出现对艺术及其表现形式有了前所未有的丰富,架上绘画作为传统艺术的一种主要表现方式受到了极大的冲击。在当今,架上绘画已经不再是现在艺术领域中的主流地位,但仍然有许多艺术家通过各种方式在画布上的不懈尝试依然使得架上绘画在艺术中以自己的与众不同的方式前进着。其中具有代表性的画家要数德国画家,格哈特·里希特。里希特的艺术探索,一直是在再现性的摄影图像绘画与模糊绘画两个领域同时交互进行的。
艺术作品无论采用什么样的表现方式、工具、材料,只要最终准确地传达出想表达的东西,并给予人们精神上的触动或视觉冲击,都是有其艺术价值的。对画家来说,摆正思想、对自身有正确的认识,才能有自己的特色,增强个人绘画的表现魅力。成熟的油画大都是在具象的画面中加入了很多的抽象元素,使得画风独具一格同时内涵上赋予一定深刻的历史意义。艺术家要把对现实生活与自然的态度与体验完美的融合到绘画创造中来,同时在创作中注入个人的思想情感,使自己的作品达到充满内涵的精神层次上来。这样的作品在艺术性上才能变得充实且耐人寻味并能给人以强大的感染力,才‘能使得作品的内容得到升华,达到一种高的审美境界,然后体现在个人作品中,传达给观众。例如,里希特的作品之所以能具有一种刻骨铭心的视觉力量,就是因为他认真探究画面蕴含的深层思想,准确地了表达了人的内在精神。他通过与对象的直接交流而产生感情冲动,进入最佳的创作状态,并把自己的感受完备的传达给观众。
本文首先通过对德国画家格哈特·里希特的艺术风格的分析,阐述他的出现对中国当代架上绘画领域产生的影响并结合当代国内一批年轻艺术家的艺术尝试探求架上绘画在中国当代的出路及作出更深层次的思考。随着世界科技及影像多媒体等创作手段广泛使用以致当今艺术领域的边界及其内涵被日渐模糊和美学语言不断被削弱的当代艺术如何重新给自己定位如何重新激发出新的动力和活力的问题。
In today's era, along with the political, economic and cultural exchanges, various forms of art are reflected infiltration, multi-state, paintings are also no exception. As the short span of decades into the country of oil, after careful study of the ancient masters across the oceans to explore, gradually recognized by people. From 80 years, China's oil paintings is at an extremely fast pace to be interpreted again of modern Western art forms, largely in foreign countries can be able to find the art style in the country to find clues, it is where the majority of a mere formality, and the style on the simple imitation of imitation and little from the emotion and can really cut into the contemporary ideological, nor can a deeper spiritual level right to inherit and develop the concept of Western art.
Along with the development of science and technology, the emergence of imaging technology, such as photography, multimedia, etc, has an unprecedented rich to att and its manifestations, easel painting as a traditional art has been one of the main manifestations of a great impact. In today's, easel painting is no longer the realm of art that is now the mainstream position, but there are still many artists in a variety of ways tireless attempt to remain on the canvas makes the easel painting in the art in their own distinctive way forward. One representative of the artist is a German painter, Gerhard Richter. Richter's artistic exploration has been painting in the reproduction of photographs and fuzzy painting carried out in two areas interact at the same time.
Works of art regardless of what kind of expression, tools, materials, as long as the ultimate expression of accurately convey something like, and give people spiritual touch or visual impact, are all its artistic value. On the painter, putting right thinking, proper understanding of their own, can have their own characteristics, and enhance the performance of individual painting charm. Mature paintings are mostly figurative images in adding a lot of abstract elements, makes the style unique style while giving the connotation of a certain profound historical significance. Artists should be on the real life and the natural attitude and experience to create the perfect fusion of the paintings in the past. Also injected in the creation of thoughts and feelings and make their content work to achieve full of the spirit level up. This works on the art to become enriched and thought-provoking and provides us with a powerful appeal in order to make the contents of works by sublimation, achieve a higher aesthetic realm, and then reflected in the individual works, to convey to the audience. For example, Richter's work has been able to have a memorable visual power, because he was seriously exploring the deep thinking of the screen contains accurately the expression of people's inner spirit. He through the direct exchange of objects produced health and emotional impulse, into the best state of creation, and to convey their feelings to the audience complete.
In this paper, analyzed the artistic style of a German artist named Gerhard Richter. explain his presence on the field of Chinese contemporary easel painting in combination with the impact of the domestic group of young contemporary artists attempt to try to explore the art of easel painting in the Chinese contemporary way and make a deeper level thinking. With the world's science and technology and video multimedia authoring tool widely used in the border areas so that today's art and its meaning is increasingly vague and aesthetic language of contemporary art continue to be undermined how to re-position themselves on how to re-energize a new dynamism and vitality issues.
引文
[1]朱其.形象的模糊：里希特艺术笔记和访谈[M].湖南美术出版社.2007：84-96
[2]朱耀伟.当代西方批评论述的中国图像[M].中国人民大学出版社.2006：16-22
[3]尹吉男.独自叩门：近观中国当代文化与美术[M].三联书店.2002：56-70
[4]尹吉男.后娘主义：近观中国当代文化与美术[M].三联书店.2002：11-12
[5]高名潞.墙——中国当代艺术的历史与边界[M].中国人民大学出版社.2006：65-68
[6]吕澎,易丹.中国现代艺术史1979-1989[M].长沙：湖南美术出版社.1995：8-13
[7]吕澎,艺术应该关注在历史中形成的当代性[J].艺术生活.2008(3)：168-169
[8]刘新刚.中国当代艺术的“模糊身份”[J].文艺研究.2007(12)：103-105
[9]邵大箴.恒定性与变化性——关于艺术现代性的思考[J].美术.2007(7)：36-38
[10]孙为民.关于当代中国油画的现状及发展的思考[J].美苑.2006(1)
[2]朱耀伟.当代西方批评论述的中国图像[M].中国人民大学出版社.2006：16-22
[3]尹吉男.独自叩门：近观中国当代文化与美术[M].三联书店.2002：56-70
[4]尹吉男.后娘主义：近观中国当代文化与美术[M].三联书店.2002：11-12
[5]高名潞.墙——中国当代艺术的历史与边界[M].中国人民大学出版社.2006：65-68
[6]吕澎,易丹.中国现代艺术史1979-1989[M].长沙：湖南美术出版社.1995：8-13
[7]吕澎,艺术应该关注在历史中形成的当代性[J].艺术生活.2008(3)：168-169
[8]刘新刚.中国当代艺术的“模糊身份”[J].文艺研究.2007(12)：103-105
[9]邵大箴.恒定性与变化性——关于艺术现代性的思考[J].美术.2007(7)：36-38
[10]孙为民.关于当代中国油画的现状及发展的思考[J].美苑.2006(1)
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