蒙古族视觉元素在内蒙古广场景观设计中的运用
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摘要
城市广场被看做是城市发展风貌的“窗口”,城市景观建设是尚在兴起的一门学科,中国城市广场兴建热潮始于上世纪90年代中期,由于我国在处理空间的意识不够独到,过多地借鉴了国外的文化、西方的元素符号来为我所用,在经济全球化世界一体化这样的大背景下,每个城市独特的地域文化特征在建设潮流中渐渐消失。城市与城市之间的可区分性越来越校,由此产生的问题日益严重,若干年后我们行走于城市之间所见所感将没有分别,这将是怎样的一种苍白!由此看来我们应当从另一个角度去认识理解城市的地域文化,将被湮没的风格、民俗、文化符号加以延续和传承,找到一种更好地方法解决城市广场建设同一化的问题,真正使本地区本民族的特色表达展现出来。
本文首先从蒙古族视觉元素的归纳出发,梳理总结现当代具有蒙古族特色的视觉元素;然后分析了中国城市广场空间形态存在问题和发展趋势,指出城市广场是一定历史时期,一定经济、社会、自然条件的产物;其次,以当今影响我国城市广场发展的因素作引导,着重分析了我国现代城市广场的发展趋势,并对比、探讨呼和浩特、包头市的城市广场发展的现状和趋势,提出了,后得出“地域性,民族性”和以人为本对内蒙古地区城市广场发展方向的意义,寻求体现城市地域文化运用于广场建设的方式方法,并利用独特的蒙古族视觉元素加以概括提炼,最终用于城市广场景观设计中,使内蒙古城市广场建设呈现出浓厚的地域文化。每个城市都有其引以为荣的灿烂历史文化,不同地域文化的城市对现代开放空间有着不同理解,不同地域文化的人们对现代城市开放空间也有不同的要求。本论文所探讨的问题正是在于解决蒙古族视觉元素在城市广场景观设计中运用的问题,体现地域特色的思路和方法。使一个城市的地域文化在广场景观设计中得以表达,展现广场与所在城市所在地域内在的关系,使城市广场成为城市地域文化特色最集中的地方。
The concept of city square comes from western, city square is a place where early people held large-scale activities and gatherings.As the center of politic,economy and culture,city square is a multi- function stage which unfolds city history,culture and spirits.At the same time,city square is open space with concentrated public buildings, which is regarded as "the window" of urban development.
Landscape construction of city square is a rising subject,China's urban construction square began to boom in the mid 1990s. However,city's unique features gradually disappear in the tide of construction because our insight with space is not special and refters foreign culture,element symbols too much.the differences between cities become more and more week,which has become a common phenomenon. If we walk in cities after a few years,we still see the same sights. How pale it is! Thus we should find another angle to understand the regional culture.And style of folk and culture symbols should be continuated inheritaged to solve the problems of building city square.As a result,national characteristics is expressed.
This paper,first of all,will hackle and summarize morden Mongolian visual elements. Then analyzed problems and the development trend of china city square space forms,and points out that city square a products of certain history,economy,society,nature.Third,it will analyze the development trend of china's morden city square space and contrast the current situation and development trend between Hohhot and Baotou.Finally this paper thinks that regionalism,nationality and human-oriented is vital to city square of Inner Mongolia region.This paper seeks methods of city region culture.this article will generalize and epurate the methdes with Mongolian visual elements.so as to apply it in the landscape construction.
Every city has its splendid history,people hold different opinions to modern open space and have different requirement.This article will solve problems of city square design with Mongolian visual elements. Mongolian visual elements expresses the relationship between cities and square.Thus,city square can become a concentrated place with regional culture.
本文首先从蒙古族视觉元素的归纳出发,梳理总结现当代具有蒙古族特色的视觉元素;然后分析了中国城市广场空间形态存在问题和发展趋势,指出城市广场是一定历史时期,一定经济、社会、自然条件的产物;其次,以当今影响我国城市广场发展的因素作引导,着重分析了我国现代城市广场的发展趋势,并对比、探讨呼和浩特、包头市的城市广场发展的现状和趋势,提出了,后得出“地域性,民族性”和以人为本对内蒙古地区城市广场发展方向的意义,寻求体现城市地域文化运用于广场建设的方式方法,并利用独特的蒙古族视觉元素加以概括提炼,最终用于城市广场景观设计中,使内蒙古城市广场建设呈现出浓厚的地域文化。每个城市都有其引以为荣的灿烂历史文化,不同地域文化的城市对现代开放空间有着不同理解,不同地域文化的人们对现代城市开放空间也有不同的要求。本论文所探讨的问题正是在于解决蒙古族视觉元素在城市广场景观设计中运用的问题,体现地域特色的思路和方法。使一个城市的地域文化在广场景观设计中得以表达,展现广场与所在城市所在地域内在的关系,使城市广场成为城市地域文化特色最集中的地方。
The concept of city square comes from western, city square is a place where early people held large-scale activities and gatherings.As the center of politic,economy and culture,city square is a multi- function stage which unfolds city history,culture and spirits.At the same time,city square is open space with concentrated public buildings, which is regarded as "the window" of urban development.
Landscape construction of city square is a rising subject,China's urban construction square began to boom in the mid 1990s. However,city's unique features gradually disappear in the tide of construction because our insight with space is not special and refters foreign culture,element symbols too much.the differences between cities become more and more week,which has become a common phenomenon. If we walk in cities after a few years,we still see the same sights. How pale it is! Thus we should find another angle to understand the regional culture.And style of folk and culture symbols should be continuated inheritaged to solve the problems of building city square.As a result,national characteristics is expressed.
This paper,first of all,will hackle and summarize morden Mongolian visual elements. Then analyzed problems and the development trend of china city square space forms,and points out that city square a products of certain history,economy,society,nature.Third,it will analyze the development trend of china's morden city square space and contrast the current situation and development trend between Hohhot and Baotou.Finally this paper thinks that regionalism,nationality and human-oriented is vital to city square of Inner Mongolia region.This paper seeks methods of city region culture.this article will generalize and epurate the methdes with Mongolian visual elements.so as to apply it in the landscape construction.
Every city has its splendid history,people hold different opinions to modern open space and have different requirement.This article will solve problems of city square design with Mongolian visual elements. Mongolian visual elements expresses the relationship between cities and square.Thus,city square can become a concentrated place with regional culture.
引文
[1]阿木尔巴图.蒙古族图案[M].内蒙古:内蒙古大学出版社,2005.06
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[4]江芳,郑燕宁.园林景观规划设计[M].北京:北京理工大学出版社,2009.09:38-49
[5] (美)克莱尔·库伯·马库斯,拉罗琳·弗朗西斯,俞孔坚,孙鹏,王志芳译.人性场所—城市空间开放设计导则[M].北京:中国建筑工业出版社, 2001.10:12
[6]宝力格.草原文化概论[M].呼和浩特:内蒙古教育出版社, 2007.07:93-94,140-141
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[8]俞孔坚,李迪华.城市景观之路—与市长们交流[M].北京:中国建筑工业出版社, 2006.03:66
[9]巩磊.具有西北地域特色的现代城市广场规划设计初探[D].西安:西安建筑科技大学,2004
[10]马冀.蒙古:游牧民族文明的集大成者[J].读者欣赏,2007,(12)
[11]郭雨桥.蒙古通[M].内蒙古:内蒙古科学技术出版社, 2007.08
[12]王晓俊.风景园林设计[M].南京:江苏科学技术出版社,2005.06
[13]刘茹.地域文化特色的城市广场景观设计探索——以宝鸡市凤县文化广场为例[D].西安:长安大学,2008
[14]彭一刚.建筑空间组合论[M].北京:中国建筑工业出版社, 1995
[15]王柯,夏健,杨海新.城市广场设计[M].南京:东南大学出版社,1999
[2]阿木尔巴图.蒙古族美术研究[M].辽宁:辽宁民族出版社,2004.10:433-462
[3]刑莉.游牧中国[M].北京:新世界出版社, 2006.01:141-167
[4]江芳,郑燕宁.园林景观规划设计[M].北京:北京理工大学出版社,2009.09:38-49
[5] (美)克莱尔·库伯·马库斯,拉罗琳·弗朗西斯,俞孔坚,孙鹏,王志芳译.人性场所—城市空间开放设计导则[M].北京:中国建筑工业出版社, 2001.10:12
[6]宝力格.草原文化概论[M].呼和浩特:内蒙古教育出版社, 2007.07:93-94,140-141
[7]刘高,孙兆文,陶克套.现代草原文化与现代文明研究[M].呼和浩特:内蒙古教育出版社, 2007.07
[8]俞孔坚,李迪华.城市景观之路—与市长们交流[M].北京:中国建筑工业出版社, 2006.03:66
[9]巩磊.具有西北地域特色的现代城市广场规划设计初探[D].西安:西安建筑科技大学,2004
[10]马冀.蒙古:游牧民族文明的集大成者[J].读者欣赏,2007,(12)
[11]郭雨桥.蒙古通[M].内蒙古:内蒙古科学技术出版社, 2007.08
[12]王晓俊.风景园林设计[M].南京:江苏科学技术出版社,2005.06
[13]刘茹.地域文化特色的城市广场景观设计探索——以宝鸡市凤县文化广场为例[D].西安:长安大学,2008
[14]彭一刚.建筑空间组合论[M].北京:中国建筑工业出版社, 1995
[15]王柯,夏健,杨海新.城市广场设计[M].南京:东南大学出版社,1999