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音乐情感认知模型与交互技术研究
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摘要
音乐与人类情感的运动形态之间存在着同质同构的对应关系,情感是音乐的本质性特征。音乐情感认知模型与交互技术研究是自然和谐人机交互、多媒体技术和计算机音乐研究的重要组成部分,属于人工情感的研究范畴,对于提升数字媒体和数字娱乐产品的情感交互能力、推进情感化人机交互的研究工作具有重要意义。
     在理论方面,本论文构建了一个音乐领域的人工情感研究体系:从音乐情感心理模式的分析出发研究音乐情感的数学表示模型,基于音乐情感认知实验采用数据驱动的建模方法构建音乐情感认知模型;在情感认知基础上,基于情感语义的音乐检索、情感驱动的音乐合成等研究内容则构成为音乐情感交互技术的主体框架。在实践方面,音乐情感识别、音乐检索和音乐合成技术也是数字媒体和数字娱乐产业的重要支持技术,可有效应用于动漫制作、游戏开发、新媒体艺术作品创作以及非物质文化遗产的数字化保护工程中。
     本论文是一项计算机应用、音乐美学、人工智能、认知心理学等多学科交叉的研究工作,在音乐情感表示模型、音乐情感认知、音乐情感表达以及编钟乐舞的数字化保护工程等方面深入展开,包括以下主要内容:
     1.在音乐学相关研究基础上,以模糊语义相似关系而不是隶属度函数作为最基本的出发点,提出以语言值计算模型对环序结构的音乐情感进行建模,建立音乐情感语言值系统的语法与推理机制,并通过语义认知实验获得音乐情感空间和情感相似矩阵的具体形式;这种模型符合音乐情感的心理模式,具有更广泛的适用性;
     2.对基本特征易于解析的MIDI音乐文件,提出一系列高层特征的识别算法:基于音程统计法和改进BP神经网络定位主音轨,基于音调无关编码方式和字符比对的主题旋律提取算法,基于曲式分析理论的乐段分割算法;
     3.在音乐心理学和音乐理论指导下设计音乐情感认知实验,通过基于动态变异算子的基因表达式程序设计算法,构建符合音乐情感认知行为模式
There are homogeneity and isomorphism between music and emotion of human being, and emotion is the essence of music. Research on music's affective computing model plays an important role in digital entertainment and harmonious human-machine interactive, and belongs to the field of artificial emotion, which can improve the affective interactive ability of products in digital entertainment and enrich the content of human-machine interactive.
    Theoretically, this thesis attempt to construct an architecture of music's affective computing, which includes such aspects as digital denotation and linguistic computing model, music emotion recognition, music retrieval based on affective semanteme, and emotion-driven algorithm composition. Technically, it can construct an effective engine for automatically incidental music for character animation constrained by some affective request, which can be used for animation, game, new media and intangible cultural heritage protection engineering.
    This thesis is an intersection study of computer application, music aesthetics, artificial intelligence and cognitive psychology. The following works have been researched on music's affective computing model, music emotion recognition, and music emotion expression. We have six primary part of contributes as follows:
    The 2~(nd) chapter: On the fundamental of music aesthetics and music psychics, a novel music affective model of linguistic computing is proposed. Based on semantic similarity relation among linguistic labels, this thesis models on music emotion and establishes the syntax and reasoning rules of music affective linguistic labels system. And lastly, according to a semantic recognition experiment, we construct the music affective space based on basic linguistic labels set and fuzzy relation matrix.
    The 3~(rd) chapter: Aimed at MIDI files whose characters are easy parsed, a series of features recognition algorithms are proposed: key melody track based on interval statistical comparison and improved BP, key melody extraction algorithm employed
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