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美国和泰国学习者汉语普通话阳平与上声习得的实验研究
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摘要
阳平与上声是汉语作为第二语言语音习得与教学的难点,也是语音习得研究领域的焦点之一。本文通过感知实验、发音实验和感知训练实验考察了美国学习者和泰国学习者汉语普通话阳平与上声的习得过程,共有四个部分:(1)母语者与美国、泰国学习者阳平与上声的感知研究,包括降升调和自然调的感知研究;(2)美国与泰国学习者阳平与上声的感知训练研究;(3)母语者与美国、泰国学习者阳平与上声的产出研究;(4)阳平与上声感知与产出的关系。
     实验主要结果如下:(1)在母语者感知模式中,拐点位置和终点音高两个声学线索对阳、上辨认都有显著作用,而且两者相互制约;拐点位置具有更为强大的制约作用,是阳、上感知的关键性声学线索,终点音高是非关键性线索,对阳、上辨认具有补偿性作用;美国和泰国学习者的阳、上感知模式中,终点音高的作用较大,拐点位置的作用较小;较之美国学习者,泰国学习者在两个线索的作用机制上都存在一定的优势;(2)训练实验的结果显示,短期训练在一定程度上提高了学习者阳、上两个声学线索的作用,但是因为训练的时间有限,所以阳、上两个线索的作用机制学习者最终未能获得;合成调的训练有助于自然调训练的提高;六次训练的显著提高集中在训练的后半段,这说明充分的输入是语音习得的关键;听感训练中的视觉刺激(反馈)可以帮助学习者提高对阳、上声学及音位特征的获得;(3)母语者产出实验的结果显示,单字阳平和上声的音高曲线走势存在显著差异;双字调的声学分析说明在语流中前字和后字阳、上受协同发音作用的影响,起点和终点都发生了高低变化,但是阳、上的拐点位置都未发生前后维度上太大的变化,这表明从声学角度看,拐点位置也是区分阳、上最为重要的声学特征;学习者产出实验的结果显示,单字阳平与上声的音高曲线走势有一定程度的相似性,与母语者的差异主要表现在拐点位置前后的不同上;双字阳、上的声学结果发现,在语流中受协同发音作用的影响,学习者阳、上的起点和终点也有高低变化,但是高低顺序与母语者仍然存在差异,这表明学习者尚未掌握语流中“相对音高”的声调模式;泰国学习者阳、上的产出也表现出一定的优势;(4)本实验阳、上的感知与产出存在较好的对应关系,但也有其复杂性。
     本文的实验结果支持感知同化模型(PAM)理论,同时还验证和补充了线索权衡假说(CWM),以及丰富了阳、上感知和产出的研究成果,并根据实验的结果为阳、上教学与习得提供了更有针对性的建议。
Tone2and tone3present the most difficulty in learning and teaching speech ofChinese as a second language. These are the focus of our study of L2speechacquisition. This paper investigates the acquisition of tone2and tone3by Americanand Thai native speakers through perceptual experiments, production experiments andperception-training experiments. We present four aspects:1) research on theperception of falling-rising synthesized tones and natural tones, divided by nativespeakers, American and Thai speakers;2) perception training research on tone2andtone3by American and Thai speakers;3) production research on tone2and tone3bynative and second-language speakers;4) relationships between perception andproduction of tone2and tone3.
     The results suggests that:1) in the perception pattern of native speakers, there aretwo acoustic cues which affect the identification of tone2and tone3significantly, andthe interaction of the two cues is significant; the results also show that the turningpoint is the key--it has a larger effect and is the critical cue in the perception space,unlike the final pitch, which is not the critical cue, but has a supplementary effect. Inthe perception patterns of American and Thai speakers, the final pitch has a largereffect on the identification of tone2and tone3, rather than the turning point.Compared with American speakers, Thai speakers have advantages in perceiving bothcues.2) The results of the perceptual training indicate that the effects of the two cuescan be improved by short-term training. Due to the time limitation, the mechanism ofthe interaction between the final pitch and turning point has not been acquired. Theresults also show that the improvement of synthetic tones helps the improvement ofnatural tones; the significant improvement appears in the latter part of the training,which indicates the sufficient input is the key of the tone acquisition. Finally, thevisual feedback also helps the acquisition of the acoustic and category information.3) The acoustic results show that the pitch contours of tone2and tone3are significantlydifferent; the result of di-syllable tones shows that the pitch height in the connectionof the two syllables will be changed significantly because of the co-articulation, whilethere is no significant change happens to the turning point. This phenomenonindicates, in the acoustic way, that the turning point is the key character. For theAmerican and Thai speakers, co-articulation also happens, but the order of the pitchheight is different from native speakers, which means the American and Thai speakershave not acquired the “relative height” of Mandarin tones. However, the Thaispeakers also have advantages in the production of tone2and tone3over the Americanspeakers.4) The results of the perceptual and acoustic experiments demonstrate therelativity between the perception and production of tone2and tone3, and also thecomplexity of the relativity.
     The results of this paper support the Perceptual Assimilation Model (PAM), test andcomplement the Cue-Weighting Model (CWM), and enrich the results of the tone2and tone3research. Based on the results of each experiment, some coping advice oftone2and tone3acquisition and teaching are offered.
引文
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