韩城行鼓服饰的传承与创新设计
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摘要
运用文献搜集和田野调查的方法,对韩城"行鼓"服饰的艺术特征进行整理,进而分析其服饰传承的意义所在。在重传承的基础上对行鼓服饰的发展提出创新设计构想,力求从服装角度出发更好地传承及保护这一国家非物质文化遗产。
This paper sorted out the art characteristics of the Hancheng Line Drum costumes,and analyzed the significance of the clothing inheritance,using the methods of literature survey and field investigation. And the innovative design conception for the development of Line Drum costumes was put forward,on the basis of inheritance. The purpose of this study was to inherit and protect the national intangible cultural heritage from the perspective of costume preferably.
This paper sorted out the art characteristics of the Hancheng Line Drum costumes,and analyzed the significance of the clothing inheritance,using the methods of literature survey and field investigation. And the innovative design conception for the development of Line Drum costumes was put forward,on the basis of inheritance. The purpose of this study was to inherit and protect the national intangible cultural heritage from the perspective of costume preferably.
引文
[1]倪璐.韩城行鼓的历史源流及其社会特征探析[J].河南教育学院学报(哲学社会科学报),2013,32(3):24-26.NI Lu.On the historical origin and social characteristics of Hancheng line drum[J].Journal of Henan Institute of Education(Philosophy and Social Sciences),2013,32(3):24-26.(in Chinese)
[2]贺改香.浅谈舞蹈服装设计的艺术表现[J].延安职业技术学院学报,2009,23(4):101-102.HE Gaixiang.On the artistic expression of dance costume design[J].Journal of Yan'an Vocational and Technical Institute,2009,23(4):101-102.(in Chinese)
[3]梁惠娥,沈天琦.地域性服饰色彩的研究现状与发展趋势[J].服装学报,2016,1(1):90-93,122.LIANG Hui'e,SHEN Tianqi.Current situation and future development trend of regional clothing color[J].Journal of Clothing Research,2016,1(1):90-93,122.(in Chinese)
[4]兰宇.秦腔戏曲服装的装饰性审美效果分析[J].西安工程大学学报,2018,32(1):30-38.LAN Yu.The decorative aesthetic effect of Qinqiang opera costumes[J].Journal of Xi'an Polytechnic University,2018,32(1):30-38.(in Chinese)
[5]姚建平,尚尚.陕西关中马勺脸谱艺术的文化内涵解析[J].戏剧之家,2016(12):145-146.YAO Jianping,SHANG Shang.The cultural connotation analysis of the art of ladle facial makeup in Shaanxi Guanzhong[J].Home Drama,2016(12):145-146.(in Chinese)
[6]张丽华.对服装创新设计的探究[D].苏州:苏州大学,2007.
[2]贺改香.浅谈舞蹈服装设计的艺术表现[J].延安职业技术学院学报,2009,23(4):101-102.HE Gaixiang.On the artistic expression of dance costume design[J].Journal of Yan'an Vocational and Technical Institute,2009,23(4):101-102.(in Chinese)
[3]梁惠娥,沈天琦.地域性服饰色彩的研究现状与发展趋势[J].服装学报,2016,1(1):90-93,122.LIANG Hui'e,SHEN Tianqi.Current situation and future development trend of regional clothing color[J].Journal of Clothing Research,2016,1(1):90-93,122.(in Chinese)
[4]兰宇.秦腔戏曲服装的装饰性审美效果分析[J].西安工程大学学报,2018,32(1):30-38.LAN Yu.The decorative aesthetic effect of Qinqiang opera costumes[J].Journal of Xi'an Polytechnic University,2018,32(1):30-38.(in Chinese)
[5]姚建平,尚尚.陕西关中马勺脸谱艺术的文化内涵解析[J].戏剧之家,2016(12):145-146.YAO Jianping,SHANG Shang.The cultural connotation analysis of the art of ladle facial makeup in Shaanxi Guanzhong[J].Home Drama,2016(12):145-146.(in Chinese)
[6]张丽华.对服装创新设计的探究[D].苏州:苏州大学,2007.