基于HSV颜色模型的明清衍圣公赐服色彩研究
|
摘要
明清衍圣公赐服作为中国古代服饰的典范,其服饰色彩中蕴含着独特的物质属性和精神文化内涵,是中国古代服饰政治思维、等级观念和时代审美的有力呈现。文章以孔府旧藏的明清衍圣公赐服蟒袍为依托,首先通过Datacolor 650测色仪获取蟒袍的RGB值;然后在HSV颜色模型中进行数值标注;再从色相、饱和度、明度方面对蟒袍底色及纹样色彩进行数据分析。实验结果表明,此方法可以将不同时代赐服的色彩特征及差异性进行清晰地呈现,进而从科学的角度思考明清服饰色彩的审美思想及文化意蕴,对中国古代服饰色彩研究提供有效途径。
Court robes of the eldest direct descendants of Confucius in the Ming and Qing dynasty are considered as the examples of ancient Chinese clothing. The clothing colors contain unique attributes in physical, spiritual and cultural sense. The colors of these court robes strongly present political thinking, hierarchy system and aesthetics in ancient Chinese clothing. The embroidered dragon robes of the eldest direct descendants of Confucius in the Ming and Qing dynasty were chosen as the example. Firstly, the RGB values of the Mangpao were obtained with Datacolor 650 spectrophotometer. The values were then marked within the HSV color model. Lastly, the data on both the bottom colors and the colors of patterns of the Mangpao were statistically analyzed from the perspectives of hue, saturation and brightness. Experiment results indicated that this method could clearly present the color characteristics and differences of court robes in different dynasties so as to ponder over esthetic thought and cultural implication of colors of clothing in Ming and Qing dynasty from the scientific perspective. This paper provides an effective way of studying colors of ancient Chinese clothing.
Court robes of the eldest direct descendants of Confucius in the Ming and Qing dynasty are considered as the examples of ancient Chinese clothing. The clothing colors contain unique attributes in physical, spiritual and cultural sense. The colors of these court robes strongly present political thinking, hierarchy system and aesthetics in ancient Chinese clothing. The embroidered dragon robes of the eldest direct descendants of Confucius in the Ming and Qing dynasty were chosen as the example. Firstly, the RGB values of the Mangpao were obtained with Datacolor 650 spectrophotometer. The values were then marked within the HSV color model. Lastly, the data on both the bottom colors and the colors of patterns of the Mangpao were statistically analyzed from the perspectives of hue, saturation and brightness. Experiment results indicated that this method could clearly present the color characteristics and differences of court robes in different dynasties so as to ponder over esthetic thought and cultural implication of colors of clothing in Ming and Qing dynasty from the scientific perspective. This paper provides an effective way of studying colors of ancient Chinese clothing.
引文
[1]赵荣光. 明清两代的曲阜衍圣公府[J]. 齐鲁学刊, 1990(2): 49-54.ZHAO Rongguang. Mansion of the eldest direct descendants of Confucius in Qufu in the Ming and Qing dynasties [J]. Qilu Journal, 1990(2): 49-54.
[2]韩敏敏. 瑞兽祥禽画衣冠黼黻灿烂文章鲜:山东博物馆藏明代服饰赏鉴[J]. 收藏家, 2012(10): 31-36.HAN Minmin. Appreciation of costume of Ming dynasty collected at Shandong Museum [J]. Collectors, 2012 (10): 31-36.
[3]石美红, 申亮, 龙世忠, 等. 从RGB到HSV色彩空间转换公式的修正[J]. 纺织高校基础科学学报, 2008,21(3): 351-356.SHI Meihong, SHEN Liang, LONG Shizhong, et al. The revision of conversion formula from RGB color space to HSV color space[J]. Basic Sciences Journal of Textile Universities, 2008,21(3): 351-356.
[4]SMITH A R. Color gamut transform pairs[J]. ACM Siggraph Computer Graphics, 1978, 12(3): 12-19.
[5]杨敏, 刘国联, 戴宏钦. 基于HSV颜色空间的人体轮廓提取方法研究[J]. 北京服装学院学报(自然科学版), 2015,35(2): 41-46.YANG Min, LIU Guolian, DAI Hongqin. Study on the method of human body contour extraction based on HSV color space[J]. Journal of Beijing Institute of Clothing Technology (Nature Science Edition), 2015,35(2): 41-46.
[6]马玲, 张晓辉. HSV颜色空间的饱和度与明度关系模型[J].计算机辅助设计与图形学学报, 2014, 26(8): 1273-1278.MA Ling, ZHANG Xiaohui. Relationship between saturation and brightness value in HSV color space [J]. Journal of Computer Aided Design & Computer Graphics, 2014, 26(8): 1273-1278.
[7]沈天琦, 梁惠娥. 基于HSV颜色模型下近代江南、闽南地区民间女性服饰色彩差异分析[J]. 北京服装学院学报(自然科学版), 2017,37(2): 15-24.SHEN Tianqi, LIANG Hui’e. Analysis of the folk women’s costume colors between modern Jiangnan and southern Fujian based on HSV color model [J] Journal of Beijing Institute of Clothing Technology(Natural Science Edition), 2017,37(2): 15-24.
[8]李坤元, 梁惠娥. 明清“帉帨”研究现状及发展趋势[J]. 服装学报, 2017, 2(3): 245-249.LI Kunyuan, LIANG Hui’e, Current situation of “Fenshui” in Ming and Qing dynasties [J]. Journal of Clothing Research, 2017, 2(3): 245-249.
[9]乔杰, 巨德辉. 浅谈春秋战国儒家、道家色彩观[J]. 艺术与设计(理论), 2007(11): 19-21.QIAO Jie, JU Dehui. Brief probe into color views of Confucianism, Taoism in the Spring and Autumn Pexiod and the Warring States Period[J]. Art and Design(Theory), 2007(11): 19-21.
[10]王熹. 明代庶民服饰研究[J]. 明史研究, 2007(8): 87-131.WANG Xi, Research on clothing of common people in the Ming dynasty [J]. Study on History of the Ming Dynasty, 2007(8): 87-131.
[2]韩敏敏. 瑞兽祥禽画衣冠黼黻灿烂文章鲜:山东博物馆藏明代服饰赏鉴[J]. 收藏家, 2012(10): 31-36.HAN Minmin. Appreciation of costume of Ming dynasty collected at Shandong Museum [J]. Collectors, 2012 (10): 31-36.
[3]石美红, 申亮, 龙世忠, 等. 从RGB到HSV色彩空间转换公式的修正[J]. 纺织高校基础科学学报, 2008,21(3): 351-356.SHI Meihong, SHEN Liang, LONG Shizhong, et al. The revision of conversion formula from RGB color space to HSV color space[J]. Basic Sciences Journal of Textile Universities, 2008,21(3): 351-356.
[4]SMITH A R. Color gamut transform pairs[J]. ACM Siggraph Computer Graphics, 1978, 12(3): 12-19.
[5]杨敏, 刘国联, 戴宏钦. 基于HSV颜色空间的人体轮廓提取方法研究[J]. 北京服装学院学报(自然科学版), 2015,35(2): 41-46.YANG Min, LIU Guolian, DAI Hongqin. Study on the method of human body contour extraction based on HSV color space[J]. Journal of Beijing Institute of Clothing Technology (Nature Science Edition), 2015,35(2): 41-46.
[6]马玲, 张晓辉. HSV颜色空间的饱和度与明度关系模型[J].计算机辅助设计与图形学学报, 2014, 26(8): 1273-1278.MA Ling, ZHANG Xiaohui. Relationship between saturation and brightness value in HSV color space [J]. Journal of Computer Aided Design & Computer Graphics, 2014, 26(8): 1273-1278.
[7]沈天琦, 梁惠娥. 基于HSV颜色模型下近代江南、闽南地区民间女性服饰色彩差异分析[J]. 北京服装学院学报(自然科学版), 2017,37(2): 15-24.SHEN Tianqi, LIANG Hui’e. Analysis of the folk women’s costume colors between modern Jiangnan and southern Fujian based on HSV color model [J] Journal of Beijing Institute of Clothing Technology(Natural Science Edition), 2017,37(2): 15-24.
[8]李坤元, 梁惠娥. 明清“帉帨”研究现状及发展趋势[J]. 服装学报, 2017, 2(3): 245-249.LI Kunyuan, LIANG Hui’e, Current situation of “Fenshui” in Ming and Qing dynasties [J]. Journal of Clothing Research, 2017, 2(3): 245-249.
[9]乔杰, 巨德辉. 浅谈春秋战国儒家、道家色彩观[J]. 艺术与设计(理论), 2007(11): 19-21.QIAO Jie, JU Dehui. Brief probe into color views of Confucianism, Taoism in the Spring and Autumn Pexiod and the Warring States Period[J]. Art and Design(Theory), 2007(11): 19-21.
[10]王熹. 明代庶民服饰研究[J]. 明史研究, 2007(8): 87-131.WANG Xi, Research on clothing of common people in the Ming dynasty [J]. Study on History of the Ming Dynasty, 2007(8): 87-131.