太极思想在现代中式衣柜设计中的视觉引导作用
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摘要
本文从太极思想入手,概述了太极图形的相关内容。并对人眼的视觉引导方式进行分析,对中式衣柜设计中的视觉引导顺序进行了探究。结合太极图形的造型、构图等方面,得出了太极思想与视觉引导在新中式衣柜设计中的具体实践方式,将中国传统的太极思想与现代视觉传导理论进行有机结合,获得一种现代中式衣柜设计新思路。
This article obtains from tai chi thought and summarizes the tai chi graphic related contents. And then analyze the human eye visual guide way and the design of Chinese style wardrobe visual boot sequence. Combined with the modeling of tai chi graphics, image and so on, it is concluded the combine of the tai chi ideas and visual guide design of new Chinese style wardrobe, combined with the modern vision transmission theory, new ideas of modern Chinese style wardrobe design is proposed.
This article obtains from tai chi thought and summarizes the tai chi graphic related contents. And then analyze the human eye visual guide way and the design of Chinese style wardrobe visual boot sequence. Combined with the modeling of tai chi graphics, image and so on, it is concluded the combine of the tai chi ideas and visual guide design of new Chinese style wardrobe, combined with the modern vision transmission theory, new ideas of modern Chinese style wardrobe design is proposed.
引文
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[5]王炳中.周易导读[M].上海:上海古籍出版社,2011.126-301
[6]张璐.法门寺秘色瓷与晚唐佛教密宗审美观念研究[D];西北大学,2013
[7]柳冠中.中国工业设计产业结构机制思考[J];设计.2010(12)
[8]刘闻名林兴瑞.设计.探究浅析中国传统屏风的造型文化.2015.10
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[10](英)L·比尼恩.亚洲艺术中人的精神[M].辽宁人民出版社,1988.23-68
[2]宗白华.美学与意境[M].北京:人民出版社,1987.156-171
[3]王建中.论功能陶瓷设计与陶瓷造型美学[D].中央工艺美术学院,1992
[4]王振复.大易之美[M].北京:北京大学出版社,2006.46-88
[5]王炳中.周易导读[M].上海:上海古籍出版社,2011.126-301
[6]张璐.法门寺秘色瓷与晚唐佛教密宗审美观念研究[D];西北大学,2013
[7]柳冠中.中国工业设计产业结构机制思考[J];设计.2010(12)
[8]刘闻名林兴瑞.设计.探究浅析中国传统屏风的造型文化.2015.10
[9]毛雄飞.传承与超越——当代中国陶艺美学研究[D].中央美术学院,2009
[10](英)L·比尼恩.亚洲艺术中人的精神[M].辽宁人民出版社,1988.23-68