源于电影作者美学的诗意影像与沉浸叙事——《地球最后的夜晚》主创访谈
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摘要
本刊邀请学者李迅和《地球最后的夜晚》导演、摄影指导、声音指导和剪辑指导四位主创,就《地球最后的夜晚》的创作构思、美学基础和创作经验进行深入讨论。导演在独特作者美学基础上进行风格化的故事叙述和视听塑造,摄影注重空间的转换和视点的游移,声音注重沉浸感、距离感和空间坐标,剪辑注重视觉出入点和独特叙事结构。主创以高艺术品质的追求,对故事、人物和空间的内在进行艺术化的表达。
Film Art hosted an interview between film scholar Li Xun and the crew of Long Day's Journey into Night including director, director of photography, director of sound and editor. They discussed in depth about the theme, aesthetic principle and the experience in making. With the personal auteurist aesthetics, the director create a stylized narrative and audiovisual composition. The transformation of space and the movement of viewpoint are crucial for cinematography, while the sense of immersion and distance are the principle of sound design, with the editing emphasizing on the unique narrative structure.
Film Art hosted an interview between film scholar Li Xun and the crew of Long Day's Journey into Night including director, director of photography, director of sound and editor. They discussed in depth about the theme, aesthetic principle and the experience in making. With the personal auteurist aesthetics, the director create a stylized narrative and audiovisual composition. The transformation of space and the movement of viewpoint are crucial for cinematography, while the sense of immersion and distance are the principle of sound design, with the editing emphasizing on the unique narrative structure.
引文