创意修复视域老工业区空间生产理论透视——以创意1956产业园为例
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摘要
援引创意修复和列斐伏尔的空间生产理论,以宁波创意1956产业园为例,构建了创意修复导向的老工业区空间生产解释框架。研究发现:(1)园区具有生态化、人本化和多元化的景观特征,入园企业的私营化、生产要素的隐性化和生产关系的多元网络化的业态特征及年轻化、创意化和情怀化的群体特征;(2)园区的空间实践由权力/资本主导,空间表征集中于规划空间以及创意阶层实践的文化景观和生产关系网络,而表征性空间贯穿于整个创意行为,并在文化、理想和情感等多重体验的基础上形成文化共识和身份认同,且三元空间辩证关系使老工业区在创意空间生产过程中具备稳定的意蕴。
Taking the most typical LOFT park-creative 1956 industrial park in Ningbo as an example, the paper introduces the production of space in Lefebvre and the theory of creative fix, and analyzes the spatial production process of the old industrial districts, which is guided by creative repair. The study suggests that:(1) Creative 1956 industrial park has the characteristics of ecology, humanization, inclusiveness and diversification of spatial landscape, and the non-nationalization of the enterprise, the recession of the production factors and the multi-dimensional network of the production relations and the younger, creative and emotional group characteristics;(2) The spatial practice of old industrial districts based on creative fix is dominated by power/capital. Representation of spatial focuses on the planning space and creative practice space and production of cyberspace, and the characterization space runs through the whole creative behavior and forms cultural consensus and identity on the basis of culture, ideals and emotional experience.And the ternary space dialectical relationship makes the old industrial districts based on creative fix has a stable "place" meaning in the process of the production of space.
Taking the most typical LOFT park-creative 1956 industrial park in Ningbo as an example, the paper introduces the production of space in Lefebvre and the theory of creative fix, and analyzes the spatial production process of the old industrial districts, which is guided by creative repair. The study suggests that:(1) Creative 1956 industrial park has the characteristics of ecology, humanization, inclusiveness and diversification of spatial landscape, and the non-nationalization of the enterprise, the recession of the production factors and the multi-dimensional network of the production relations and the younger, creative and emotional group characteristics;(2) The spatial practice of old industrial districts based on creative fix is dominated by power/capital. Representation of spatial focuses on the planning space and creative practice space and production of cyberspace, and the characterization space runs through the whole creative behavior and forms cultural consensus and identity on the basis of culture, ideals and emotional experience.And the ternary space dialectical relationship makes the old industrial districts based on creative fix has a stable "place" meaning in the process of the production of space.
引文
[1] He S. The creative spatio-temporal fix:Creative and cultural industries development in Shanghai, China[J]. Geoforum(online first). DOI. 10.1016/j.geoforum.2017.7:17
[2] Peck J. Recreative city[J]. International Journal of Urban and Regional Research.2012, 36(3):462-485.
[3] Werth A, Marienthal E.'Gentrification'as a grid of meaning[J]. City,2016, 20(5):719-736.
[4]马仁锋.创意产业区演化与大都市空间重构[M].杭州:浙江大学出版社,2014.
[5] Zheng J, Chan R. A property-ledapproach to cluster development[J]. Town Planning Review, 2013, 84(5):605-632.
[6]何春花,马仁锋,徐本安,等.鉴于文化创意空间理念的宁波和丰纱场工业遗产改造[J].工业建筑,2017, 47(1):50-55.
[7] Harvey D. The spatial fix-Hegel, von Thunen, and Marx[J]. Antipode, 1981,13(3):1-12.
[8] Harvey D. Globalization and the spatial fix[J]. Article,2001.
[9] Sheppard E. The spatiality of the limits to capital[J]. Antipode,2004,36(3):470-479.
[10] Jessop B. The crisis of the national spatio-temporal fix and the tendential ecological dominance of globalizing capitalism[J]. International Journal of Urban&Regional Research, 2010, 24(2):323-360.
[11] Peck J. The creativity fix[J]. Eurozine,2007:1-13.
[12]叶超.柴彦威,张小林.“空间的生产”理论、研究进展及其对中国城市研究的启示[J].经济地理,2011, 31(3):409-413.
[13]包亚明.现代性与空间的生产[M].上海:上海教育出版社,2003.
[14]韩勇,余斌,朱媛媛,等.英美国家关于列斐伏尔空间生产理论的新近研究进展及启示[J].经济地理,2016, 36(7):19-26.
[15]王曼曼,张敏.表演性视角下音乐节的空间生产[J].地理研究,2017, 36(2):294-306.
(1)根据工信部联企业制定的中小企业划型标准规定:房地产、信息技术服务业、商业服务业等除外,其他未列明行业中,从业人员300人以下的为中小微型企业。其中,从业人员100人及以上的为中型企业;从业人员10人及以上的为小型企业;从业人员10人以下的为微型企业。
[2] Peck J. Recreative city[J]. International Journal of Urban and Regional Research.2012, 36(3):462-485.
[3] Werth A, Marienthal E.'Gentrification'as a grid of meaning[J]. City,2016, 20(5):719-736.
[4]马仁锋.创意产业区演化与大都市空间重构[M].杭州:浙江大学出版社,2014.
[5] Zheng J, Chan R. A property-ledapproach to cluster development[J]. Town Planning Review, 2013, 84(5):605-632.
[6]何春花,马仁锋,徐本安,等.鉴于文化创意空间理念的宁波和丰纱场工业遗产改造[J].工业建筑,2017, 47(1):50-55.
[7] Harvey D. The spatial fix-Hegel, von Thunen, and Marx[J]. Antipode, 1981,13(3):1-12.
[8] Harvey D. Globalization and the spatial fix[J]. Article,2001.
[9] Sheppard E. The spatiality of the limits to capital[J]. Antipode,2004,36(3):470-479.
[10] Jessop B. The crisis of the national spatio-temporal fix and the tendential ecological dominance of globalizing capitalism[J]. International Journal of Urban&Regional Research, 2010, 24(2):323-360.
[11] Peck J. The creativity fix[J]. Eurozine,2007:1-13.
[12]叶超.柴彦威,张小林.“空间的生产”理论、研究进展及其对中国城市研究的启示[J].经济地理,2011, 31(3):409-413.
[13]包亚明.现代性与空间的生产[M].上海:上海教育出版社,2003.
[14]韩勇,余斌,朱媛媛,等.英美国家关于列斐伏尔空间生产理论的新近研究进展及启示[J].经济地理,2016, 36(7):19-26.
[15]王曼曼,张敏.表演性视角下音乐节的空间生产[J].地理研究,2017, 36(2):294-306.
(1)根据工信部联企业制定的中小企业划型标准规定:房地产、信息技术服务业、商业服务业等除外,其他未列明行业中,从业人员300人以下的为中小微型企业。其中,从业人员100人及以上的为中型企业;从业人员10人及以上的为小型企业;从业人员10人以下的为微型企业。