摘要
《罗克珊娜》中的空间书写在三个维度呈现出层层升级的诗学态势,家居空间不仅是规训女性身体的具体场域,而且是罗克珊娜重绘生命图式的空间原点;流动空间见证了罗克珊娜对父权空间话语体系的颠覆,动态的空间图景潜伏着个体身份的物化与迷失;叙事空间中的分形模式和圆形模式既是笛福探索小说创作技巧的重要一环,同时也隐喻了生命的偶然性和未知性。笛福通过丰富的文学想象将罗克珊娜的生存空间改造成一个富于道德和政治象征意义的背景图,从而凸显了资本主义发展初期底层女性的生存焦虑。
In Roxana,the spatial writing presents a three-dimensional poetic escalation:the domestic space is not only a concrete area for disciplining the female body,but a spatial departure point for Roxana to map out her life;the mobile space witnesses Roxana's deconstruction of the patriarchal spatial discourse while the mobile spatial landscape indicates the reification and loss of her identity;the fractural mode and circular mode in the narrative space not just reflects Defoe's innovative experiment with the novel writing,but serves as a metaphor of contingency and uncertainty of the individual life.With his rich literary imagination,Defoe transforms Roxana's living space into a moral and political background to illustrate the anxiety of the existence of the lower class women during the early phase of the capitalism.
引文
[1]Ian Watt.The Rise of the Novel:Studies in Defoe,Richardson and Fielding[M].London:Chatto&Windus,1957:20-21.
[2]Maximillian E.Novak.Daniel Defoe:Master of Fictions[M].Oxford:Oxford UP,2003:21.
[3]Paula R.Backscheider.Daniel Defoe:His Life[M].London:The Johns Hopkins UP,2003:165.
[4]Ian A.Bell.Daniel Defoe’s Fiction[M].London&Sydney:Croom Helm,1985:52.
[5]张在新.笛福小说《罗克珊娜》对性别代码的解域[J].外国文学评论,1997(4):98-108.
[6]王建香,朱芳.《罗克珊娜》中现代女性身体僭越的悲剧[J].外国语文,2013(5):27-31.
[7]Rosemary George.The Politics of Home:Postcolonial Relocations and Twentieth-Century Fiction[M].Berkeley:U-niversity of California Press,1999:2-3.
[8]谢纳.空间生产与文化表征[M].北京:中国人民大学出版社,2010.
[9]丹尼尔·笛福.罗克珊娜[M].天一,定九,译.广州:花城出版社,1984.
[10]傅新球.英国社会转型时期的家庭研究[M].合肥:安徽人民出版社,2008.
[11]安德鲁·巴兰坦.建筑与文化[M].王贵祥,译.北京:外语教学与研究出版社,2007.
[12]王中江.关系空间、共生和空间解放[J].中国高校社会科学,2017(2):82-91+158.
[13]龙迪勇.空间叙事学[M].北京:三联书店,2015.
[14]童明.暗恐/非家幻觉[J].外国文学,2011(4):106-116+159.
[15]劳伦斯·斯通.英国的家庭、性与婚姻1500-1800[M].刁筱华,译.北京:商务印书馆,2011.
[16]Anthony Giddens.The Consequences of Modernity[M].Cambridge:Polity Press,1990.
[17]陈栩.摩尔·弗兰德斯中的空间释读[J].外国文学,2015(6):124-130+160.
[18]Doreen Massey.Space,Place and Gender[M].Minneapolis:University of Minneapolis Press,1994:150.
[19]张德明.西方文学与现代性的展开[M].北京:中国社会科学出版社,2009.
[20]John Berger.The Ways of Seeing[M].New York:Penguin Books,1972:8-9.
[21]黄梅.推敲“自我”:小说在18世纪的英国[M].北京:三联书店,2015.
[22]汪民安.现代性[M].南京:南京大学出版社,2012.
[23]陈西军.笛福的政治思想[M].武汉:武汉大学出版社,2017.
[24]乔安妮·恩斯特维尔.时髦的身体:时尚、衣着和现代社会理论[M].郜元宝,译.南宁:广西师范大学出版社,2000.
[25]爱德华·萨义德.文化与帝国主义[M].李琨,译.北京:三联书店,2004.
[26]赖骞宇.18世纪英国小说的叙事艺术[M].北京:中国社会科学出版社,2009.
[27]童强.空间哲学[M].北京:北京大学出版社,2011.
[28]申丹,王丽亚.西方叙事学:经典与后经典[M].北京:北京大学出版社,2010.
[29]F.R.利维斯.伟大的传统[M].袁伟,译.北京:三联书店,2009.