襄阳习氏宗祠建筑特色研究
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摘要
祠堂自古以来都是中国传统而严肃的礼制建筑,在中国传统建筑中占有重要的地位。宗族祠堂是中国传统历史文化的物质载体,它传递了古代儒学伦理中一直延续至今的家族观念。该文通过对湖北省襄阳市习氏祠堂的分析研究,介绍了习氏祠堂的地理位置、自然环境,祠堂修建的历史背景和现状,在此基础上探索其选址和布局、空间环境、建筑装饰等方面的建筑特色,剖析习氏宗祠的文化内涵,为地域性、文化性等方向的建筑设计提供了实际案例,增加了在祠堂建筑方面的理论支持和参考依据。
The ancestral temple has been a traditional and serious ritual building in China since ancient times, which plays an important role in Chinese traditional architecture. The ancestral temple is the material carrier of Chinese traditional history and culture, which conveys the family concept that has been continued since ancient Confucian ethics. Based on the analysis of Xi's Ancestral Temple in Xiangyang City, Hubei Province, we introduce the geographical location, natural environment, historical background and current situation of the temple, and explore the architectural features such as its location and layout, space environment and architectural decoration, etc. Then we analyze the cultural connotation of Xi's Ancestral Temple, so as to provide practical examples for architectural design of regional and cultural, and to increase the theoretical support and reference basis for the ancestral temple's construction.
The ancestral temple has been a traditional and serious ritual building in China since ancient times, which plays an important role in Chinese traditional architecture. The ancestral temple is the material carrier of Chinese traditional history and culture, which conveys the family concept that has been continued since ancient Confucian ethics. Based on the analysis of Xi's Ancestral Temple in Xiangyang City, Hubei Province, we introduce the geographical location, natural environment, historical background and current situation of the temple, and explore the architectural features such as its location and layout, space environment and architectural decoration, etc. Then we analyze the cultural connotation of Xi's Ancestral Temple, so as to provide practical examples for architectural design of regional and cultural, and to increase the theoretical support and reference basis for the ancestral temple's construction.
引文
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[2]清乾隆25年[1760].《襄阳府志》.
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[10]辛艺峰.传统建筑装饰艺术的瑰宝--鄂西传统建筑石雕装饰艺术探索[J].古建园林技术,2005(1):50-54
[11]王抗生.民间木雕[M].北京:中国轻工业出版社,2005.
[12]陆小赛.礼制意义下中国古代建筑木雕的装饰审美[J].装饰,2006(9):19-20.
[13]吕砚峰.清代建筑彩画装饰艺术探析[J].中华民居(下旬刊),2014(6):142.
[14]庄璐.浅谈中国传统古建筑中的苏式彩画工艺[J].才智,2010(34):172.
[15]戴莹,李沙.明代官式建筑彩画主题纹饰研究[J].建筑与文化,2018(5):187-188.
[2]清乾隆25年[1760].《襄阳府志》.
[3]湖北省襄阳县编纂委员会.襄阳县志[M].湖北:湖北人民出版社,1989.
[4]刘敦祯.中国古代建筑史[M].北京:中国建筑工业出版社,1984:421.
[5]丁会.浅谈祠堂建筑的人文精神[J].山西建筑,2009,35(17):36-37.
[6]胡绍宗.敬神与娱人:传统宗祠建筑空间的形式内涵[J].装饰,2014(10):125-126.
[7]陶友松.古风老祠堂[M].北京:人民美术出版社,2003.
[8]李秋香.宗祠[M].北京:生活·读书·新知三联书店,2006.
[9]拉雅.雕塑之美砖石木雕俱可喜[J].中华民居,2013(28):38-41.
[10]辛艺峰.传统建筑装饰艺术的瑰宝--鄂西传统建筑石雕装饰艺术探索[J].古建园林技术,2005(1):50-54
[11]王抗生.民间木雕[M].北京:中国轻工业出版社,2005.
[12]陆小赛.礼制意义下中国古代建筑木雕的装饰审美[J].装饰,2006(9):19-20.
[13]吕砚峰.清代建筑彩画装饰艺术探析[J].中华民居(下旬刊),2014(6):142.
[14]庄璐.浅谈中国传统古建筑中的苏式彩画工艺[J].才智,2010(34):172.
[15]戴莹,李沙.明代官式建筑彩画主题纹饰研究[J].建筑与文化,2018(5):187-188.