宋词中的植物意象分析
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摘要
在我国古典诗词中,植物意象常常被作者赋予主观色彩,借此来表达自己的情感。从《诗经》开始植物就出现在诗歌中,到《离骚》,植物的指代意义更加明显,香草喻君子是屈原创作的一大特色。在宋词中,四季花卉、梧桐、杨柳、芭蕉都被运用。植物作为意象,源于它本身的特征和词人的审美观,植物都有季节性、还具备形象美、神韵美的特点,被词人赋予象征、比喻、拟人的表现手法引用到诗词中。
In Chinese classical poetry,the author uses the plants images to endow himself with subjective colors. From the beginning of the Book of songs to Lisao,plants appeared in poetry and the reference meaning of plants is more obvious. Vanilla for gentleman is a major feature of Qu Yuan's creation. Flowers of four seasons,sycamore,willow,and plantain are used. Plant as an image,derived from its own characteristics and poetic aesthetic,with seasonal changes,beauty of image,and charm characteristics,which were applied by poets by symbol,metaphor,personification.
In Chinese classical poetry,the author uses the plants images to endow himself with subjective colors. From the beginning of the Book of songs to Lisao,plants appeared in poetry and the reference meaning of plants is more obvious. Vanilla for gentleman is a major feature of Qu Yuan's creation. Flowers of four seasons,sycamore,willow,and plantain are used. Plant as an image,derived from its own characteristics and poetic aesthetic,with seasonal changes,beauty of image,and charm characteristics,which were applied by poets by symbol,metaphor,personification.
引文
[1]张福洲.“花间”对宋词的影响研究[D].南京:南京师范大学,2008.
[2]孙超姣.论宋词中的植物意象[D].西安:陕西师范大学,2007.
[3]金野.宋词中“合欢”意象的文化内涵[J].太原师范学院学报(社会科学版),2009,(07):88-90.
[4]高涵博.简析宋词中的菊花意象[J].沧桑,2010,(04):231-232.
[5]肖磊.浅谈我国古代诗词中的“杨柳”意象[J].哈尔滨市委党校学报,2009,(01):76-77.
[6]范松沛.宋词中“梧桐”意象的情感意蕴[J].牡丹江师范学院学报(哲学社会科学版),2010,(06):39-40
[7]黄宪梓.芭蕉的古典文化叙事[D].西安:西北大学,2009
[8]杜娟.宋代诗歌中的草意象文化解析[J].边疆经济与文化,2017,(05):92-94.
[2]孙超姣.论宋词中的植物意象[D].西安:陕西师范大学,2007.
[3]金野.宋词中“合欢”意象的文化内涵[J].太原师范学院学报(社会科学版),2009,(07):88-90.
[4]高涵博.简析宋词中的菊花意象[J].沧桑,2010,(04):231-232.
[5]肖磊.浅谈我国古代诗词中的“杨柳”意象[J].哈尔滨市委党校学报,2009,(01):76-77.
[6]范松沛.宋词中“梧桐”意象的情感意蕴[J].牡丹江师范学院学报(哲学社会科学版),2010,(06):39-40
[7]黄宪梓.芭蕉的古典文化叙事[D].西安:西北大学,2009
[8]杜娟.宋代诗歌中的草意象文化解析[J].边疆经济与文化,2017,(05):92-94.