论陈樵的乐府诗
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摘要
陈樵乃元代东阳乡贤,家遭兵燹,其所著书二百余卷大多无存,今仅见诗赋集《鹿皮子集》四卷,笔者搜罗其乐府诗计得13题15首,按内容可分为7类,即征戍类、怨思类、人物类、时景类、道路类与咏史类,其诗题因革、用韵、用字及设色、咏史等方面具有自己的特色,取得了一定成就。陈樵与当时杨维桢所倡导的"铁崖体"诗相呼应,成为铁崖诗派的中坚力量。杨维桢对陈樵的乐府诗给与高度评价,邓绍基的《元代文学史》更将陈樵列为元代浙东诗派的代表。
Chen Qiao was a sage in Dong Yang town in Yuan Dynasty.His home was destroyed in the war,together with his 200 poems collections.Only the poem collection of Deer Fur Collection existed in the world,including four volumes.The author got 13 inscriptions and 15 poems after searching around his folk poetries,which was classified into 7types based on its contents,that is,garrison poems,complaint poems,person poems,scenery poems,road poems and history poems.His poems achieved great success because of his unique skills of rhythm,wording,tones and history in his poems.Chen Qiao was coherent with the Tieya Style advocated by Yang Weizhen and became the main force of the Tieya Style.Chen Qiao's Folk Poetry was spoken highly of by Yang Weizhen and was regarded as the representative of Zhejiang East School in his book of the Literary History of the Yuan Dynasty written by Deng Shaoji.
Chen Qiao was a sage in Dong Yang town in Yuan Dynasty.His home was destroyed in the war,together with his 200 poems collections.Only the poem collection of Deer Fur Collection existed in the world,including four volumes.The author got 13 inscriptions and 15 poems after searching around his folk poetries,which was classified into 7types based on its contents,that is,garrison poems,complaint poems,person poems,scenery poems,road poems and history poems.His poems achieved great success because of his unique skills of rhythm,wording,tones and history in his poems.Chen Qiao was coherent with the Tieya Style advocated by Yang Weizhen and became the main force of the Tieya Style.Chen Qiao's Folk Poetry was spoken highly of by Yang Weizhen and was regarded as the representative of Zhejiang East School in his book of the Literary History of the Yuan Dynasty written by Deng Shaoji.
引文
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[24]邓绍基.元代文学史[M].北京:人民文学出版社,1991:507.
[2]王士祯撰,洪之点校.香祖笔记[M].上海:上海古籍出版社,1982:122.
[3]胡助.纯白斋类稿[M].北京:中华书局,1985:7.
[4]陈樵,金涓.鹿皮子集[A].青村遗稿[M].北京:中华书局,1985.
[5]郑樵.通志·乐略[M].新北:台湾商务印书馆影印文渊阁四库全书:第374册:18.
[6]杨娟.曹勋乐府诗研究[D].桂林:广西师范大学,2007:24.
[7]杨镰.元诗史[M].北京:人民文学出版社,2003:433.
[8]陈樵.鹿皮子集[M].新北:台湾商务印书馆影印文渊阁四库全书:第1216册:664.
[9]郭茂倩.乐府诗集[M].北京:中华书局,1979:997.
[10]杨军笺注.元稹集编年笺注(诗歌卷)[M].西安:三秦出版社,2002:787.
[11]王士禛撰,张宗柟纂集,戴鸿森校点.带经堂诗话[M].北京:人民文学出版社,1998:234.
[12]赖良.大雅集[M].新北:台湾商务印书馆影印文渊阁四库全书:第1369册:516.
[13]章微微.西湖竹枝词之研究[D].杭州:浙江工业大学,2009:8.
[14]杨维桢著,邹志方点校.杨维桢诗集[M].杭州:浙江古籍出版社,2010:579.
[15]黄仁生.试论元末“古乐府运动”[J].文学评论,2002,(6):148-159.
[16]杨维桢.铁崖古乐府[M].新北:台湾商务印书馆影印文渊阁四库全书:第1222册.
[17]钱钟书.谈艺录[M].上海:三联书店,2002:164.
[18]赵望秦,王彪.论杨维桢乐府体咏史[J].商洛学院学报,2011,(2):73-78.
[19]孙杰.竹枝词发展史[D].上海:复旦大学,2012:87-88.
[20]李修生.全元文:第41册[M].南京:凤凰出版社,2004:243.
[21]朝野遗事.永乐大典:第1册[M].北京:中华书局,1986:270.
[22]丁福保.历代诗话续编[M].北京:中华书局,1983:462.
[23]李修生.全元文:42册[M].南京:凤凰出版社,2004:495.
[24]邓绍基.元代文学史[M].北京:人民文学出版社,1991:507.